Hong Ling applies oil painting as media to reappear the spirit of Chinese landscape painting and establishes association between the East and the West. On the basis of inheriting the past and ushering in the future, Hong Ling’s works break through the existing concept of “scenery”, go from realism to abstraction and then to image, show a realm of integration between Chinese traditional painting and oil painting. His works go across Chinese and western culturehedge and combine decorous feeling of oil painting with flavor of conception and vitality of Chinese painting, creating an atmosphere of being aloof and pure but flourish and vigorous.