Zhang Wei’s painting can always overturn traditional ink and wash, and dispel universal idealism of our society with a “teasing” attitude. He fills many bizarre and fantastic images in normal visual experience and turns simple depiction to be obscure and hard to understand. These bizarre images maybe just the record of spiritual growth of his generation and the real ink portrait to them, for what they face is a tremendous system of the post-modern society filled with lust and variation, which is a result of simple state abruptly suffered with chaos.
Zhang Wei’s ink painting has always been trying to change brushwork rule of traditional painting. The reasonless delineating looks like flowers, pupils, lips, teeth and leaves in the dream. Revealing and diffusing technique of ink painting will always make serene and subtle spaces stand out, which undoubtedly becomes his weird ink language to change traditional picture. In an era of visual consumption, “dazzling” not only refers to variability of the picture but also highlight created in instant. This may be the art positioning of Zhang Wei’s dazzling image, which implies cultural interpretation and artistic exploration of a post-70s painter on both new scholar drawing and consumption picture.
Zhang Wei’s ink painting has always been trying to change brushwork rule of traditional painting. The reasonless delineating looks like flowers, pupils, lips, teeth and leaves in the dream. Revealing and diffusing technique of ink painting will always make serene and subtle spaces stand out, which undoubtedly becomes his weird ink language to change traditional picture. In an era of visual consumption, “dazzling” not only refers to variability of the picture but also highlight created in instant. This may be the art positioning of Zhang Wei’s dazzling image, which implies cultural interpretation and artistic exploration of a post-70s painter on both new scholar drawing and consumption picture.